When I was pregnant with my oldest, it was Michelle Shocked, Tuck & Patti, Sara Hickman, The Dead with Bob Dylan, and then once our first was born (and don’t judge me; I lived in the Rockies as a kid)–it was John Denver, then Bonnie Raitt with Lyle Lovett, James Taylor, The Prairie Home Companion, and somewhere in there Yo-Yo Ma (who played a few songs with Garrison or JT), Paul Simon; Earth, Wind & Fire, and I know I’ve missed some (along with a handful of classical ensembles & symphonies and loads of local bands); but I can’t recall a single major concert without the kids.
How is that possible?
And now Ray LaMontagne (Casey’s choice.) Alone. Like we will be. Forever. Time stretched out before us on a blank canvass. Or at the edge of a cliff.
And while I was pleasantly surprised with MASS MoCA as a performance venue, I resented Casey, not only because I didn’t recognize a single song, and it was too loud, but because we had arrived together at—an end—and there was only him—like a slap in the face.
When I was very pregnant with our first, a colleague invited us over for dinner, and she pulled out an album and began to weep as she looked at the photo of her husband with their newborn.
I immediately understood. She was feeling what I was fearing. The way motherhood would separate me from the man I loved, from the sweetness of our couple-hood—which spanned an entire decade—from the Atlantic to the Rockies to a backpacking summer through Europe to these Green Mountains where we settled just ahead of turning 30. (I’ll be 55 this year.)
But I had misunderstood, and my friend’s response chilled me.
She wasn’t grieving her husband, she was grieving the loss of her newborn. Even while the child nursed on her lap!
My breast and my lap are long empty, and soon my house will be too.
What is the point of it without them? What is the point of us?
I hate Casey.
Last night I found myself crying.
I blame it on Mr. Rogers.
We went to see the documentary, Won’t You Be My Neighbor? where afterward they should have distributed warm washcloths—to wipe our faces and bring us comfort–before exiting the womb of the theater for the brightly lit lobby; which is to say–I was primed for feeling my feelings and thus faced with the departure of my youngest for a week at camp (The Engineering strand of the Governor’s Institute of Vermont at a University), I wept into the future, which we get to rehearse this coming week.
We’ve spent a quarter of a century inside this all-encompassing womb of family life. And suddenly the bright lights are on the horizon. A new beginning. Entirely unknown. Barely considered. (Who has time!) As unfathomable as becoming parents once was.